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Andrew Graham-Dixon: Tell me why this is a drawing. Why is it a drawing and not a text?
Lawrence Weiner: Oh, using text for drawing is no problem. It tells you something. But drawing is explicit. Drawing is not implicit; there’s nothing hidden in a drawing. When you draw for people, you’re drawing something to tell them: it’s a message.
This month in association with 3am magazine and Maintenant the Icelandic Embassy in London is hosting an evening of readings by four Icelandic poets – Bryndís Björgvinsdóttir, Ragnhildur Jóhanns, Jón Örn Loðmfjörð and Eiríkur Örn Norðdahl – with responses presented on the evening by eight British poets. As one of the British contributors I’ve been looking at the work of Ragnhildur Jóhanns, whose interview was posted yesterday at maintenant.co.uk > poetry. Here’s an image of one of her poems:
The disruption and reassembly of her cut-up books brings to mind the line drawings I first wrote about here and here and later compiled for AS LINE. These line drawings – lines drawn between things and pages – are attempts to write things down, or keep them, in a way that words cannot. Read the rest of this entry »
Yesterday I found this on Anton’s desk:
He has crossed out a DVD.
He didn’t write something on it first and then cross that out: he actually crossed out the thing. There’s a line right through it and a wavy scribble all the way around it. He’s crossed out both the thing and the shape.
When I found it on his desk I told him you can’t cross out actual things, only words.
The person at 298b has only a very small window offering almost no view at all: just the top of a brick wall and a few inches of sky. This is inadequate. At times he feels like staring into the plotless scrolling of people and things you get through proper windows, but there’s nothing to see. The view’s blank.
So at times like these he’s started building the view himself. Read the rest of this entry »
I propose we each carry a purse containing threads with small clips fastened at each end. One end of each thread would be attached to the inside of the purse, and the other would be clipped in passing to objects and people we expect might be relevant later on. Over time we would each amass tens of thousands of these clipped threads, both issuing from our purses and clipped to our person and personal effects by others.
Provided the threads are sufficiently long and robust and numerous, instead of speaking we could physically tug at the things we wish to denote and finally abandon language once and for all.
Admittedly communication would proceed painstakingly. Read the rest of this entry »
This year at the Goldsmiths MFA Art Writing show antepress present a project space with an exhibition of artworks and publications, a programme of events and a pop-up library of art writing publications.
HOW TO DIAGRAM is tomorrow’s event, continuing a discussion we co-organized at the FormContent project space in February. Presenting new works are Julia Calver, Patrick Coyle, David Berridge, Neil Chapman and Rachel Lois Clapham.
Goldsmiths, University of London
Small Baths, Laurie Grove, New Cross, SE14 6NW