If you missed me making it sound like I was making art for fifteen minutes on Resonance FM the other week, you can hear it again below. It was originally broadcast on November 16th as part of the antepress art writing programme Digestives.
My next Digestives programme isn’t until early February. In the meantime here’s a sneak preview of what I’m looking at in preparation: Read the rest of this entry »
I like the putting together of music, pictures, movement, speaking and crossing out in this presentation from Italo Calvino’s Cosmicomiche. If you don’t speak Italian you could wait for the video to load completely then scroll through the whole thing at high speed.
Things Are Exact is a short audio play between an indistinct number of matching voices battling between script and spontaneity. The voices try to catch time. They try to distinguish their sore throats from sadness, their sadness from the passing of time, and the passing of time from the impossibility of shared experience.
Things Are Exact was first broadcast on Resonance 104.4fm on July 13 as part of the antepress Art Writing series Digestives.
When I was at art school I spent a week at Trinity Buoy Wharf making some really bad site specific art which was then exhibited along with everyone else’s site specific art. (I also took lots of video, sitting in a boat I wasn’t sure I was allowed to be in, watching a piece of cord swaying obliquely, I must find that and see what it’s like.)
In the lighthouse at Trinity Buoy Wharf there are some outdated computers playing a piece of music which is 1000 years long, and on the 31st December 2999 it will start playing again at the beginning.
Yesterday Anton showed me a video of a piano performance by Jem Finer, and afterwards I realised he was the same man who’d made Longplayer. Read the rest of this entry »
You can prepare a piano by putting things on the strings or under them or on the hammers or dampers. You can use razors, spare plates, cash, retractable pencils etc etc. This is also a way you can prepare a text.
Tamarin Norwood gratefully acknowledges the support of the Arts and Humanities Research Council. For more information on the AHRC, please see www.ahrc.ac.uk.