If you missed me making it sound like I was making art for fifteen minutes on Resonance FM the other week, you can hear it again below. It was originally broadcast on November 16th as part of the antepress art writing programme Digestives.
My next Digestives programme isn’t until early February. In the meantime here’s a sneak preview of what I’m looking at in preparation: Read the rest of this entry »
A line drawn from pencil to paper makes a dot. It’s a dot upwards through space that begins on the paper and travels to the tip of the pencil, but because paper and pencil meet so closely, the upwards projection of the dot from the paper is very slim.
I hear my artist book DO SOMETHING is back from the printers. The good people at (un)limited store have put a couple pictures on their website, along with glimpses of the other five books in the series. The book launch is at ARTISTBOOKINTERNATIONAL at the Centre Pompidou in Paris from 4-6 December.
Resonance fm is broadcasting a new audio work of mine this afternoon as part of Digestives, the ongoing art writing radio series from antepress. It’s going to be be aired on today at 4:30pm and repeated Friday 20 November at 7:30pm.
You can listen live by clicking the ‘Listen Now’ mp3 stream at www.resonancefm.com, or tune in to 104.4fm inside London. Afterwards it will be available to download as a podcast at www.antepress.co.uk/digestives.php.
This evening I’m going to describe to some friends the following work, which is the same work that appears in the diagram I drew last week. We won’t be able to put the work into practice because we’ll be at someone’s home and we won’t be able to draw lines all over its walls, and so once I’ve described the work as it should be, we’re going to try to find ways of replicating its effect but within the constraints of the domestic space: no lines on the walls, no lines on the floors.
Genuine Smiles uses a faint pencil line in place of writing – an attenuated, quietened form of language drawn between signified and signifier: between the thing described and the description of it. But once the line is drawn, the thing it started from isn’t there any more.
A sheet of paper of any size is attached to one internal wall of the cube, and attached just above it is a long piece of string Read the rest of this entry »
Tamarin Norwood gratefully acknowledges the support of the Arts and Humanities Research Council. For more information on the AHRC, please see www.ahrc.ac.uk.