Archive for the 'frame' Category
Genuine Smiling
November 8, 2009The Real Experiment
November 4, 2009Allan Kaprow again. One characteristic of the lifelike art that was emerging in the sixties:
The Real Experiment (1983)
Come to Some Arrangement
October 26, 2009STUDIO AND CUBE
October 24, 2009This is our new home. In a complete change of everything, this home consists of a white studio. It means rather than making artwork in a domestic space as I have been for the past few years, I’ll be doing domestic things in an art-making space.
Proposed Positivity Posters #3
October 13, 2009THIS
October 11, 2009Address labels you can stick to things. I made these a few years ago but stamping ’stamped’ on things reminded me of them. They’re like inside-out frames.
THE PEAR HOLDER IS BACK
October 10, 2009Some other holders are here.
Nontheatrical Performance
October 8, 2009Allan Kaprow wrote
“[...] here is the ball park I perceive: an artist can
- work within recognizable art modes and present the work in recognizable art contexts (e.g., paintings in galleries; poetry in poetry books; music in concert halls, etc.)
- work in unrecognizable, i.e., nonart, modes but present the work in regognizable art contexts (e.g., pizza parlour in a gallery; a telephone book sold as poetry, etc.)
- work in recognizable art modes but present the work in nonart contexts (.eg., a “Rembrandt as an ironing board”; a fugue in an air-conditioning duct; a sonnet as a want ad, etc.) Read the rest of this entry »
Some Things You And I Will Do
October 6, 2009One day I will find you standing by the door of the bathroom. You will have cupped your hands together as though you were trying to catch drips from the ceiling, but nothing will be falling. And then I’ll notice that swaying in the air inside the cup of your hands you’ll be watching the plastic pull of the light cord. And as it moves back and forth through the air you’ll be moving your hands in time, so that they always contain it.
One day you’ll have gone out to work and I will still be at home. I will find all the glasses in the house, and I will get the empty jars and bottles we’ll be collecting under the sink, and I will balance them all into a wall against the kitchen window. Read the rest of this entry »
Circulation, Distribution, Dispersion
October 4, 2009In November we’re holding a workshop at Goldsmiths around circulation, distribution and dispersion of artwork.
I want to think about artworks that make claims about not being circulated. My interest in this area stems from my own work, but I want to use the opportunity to research things other people have done. Because of the nature of the subject I don’t anticipate sticking exclusively to examples from art, but I hope to draw some conclusions that have relevance to art.
Most of the work I’ve found on this subject is around event-based art. A starting point could be the dissemination of happening-type work Allan Kaprow calls “lifelike art”. In his 1966 lecture How To Make A Happening he urges us to “happen” in the real world and not in art, and not to put on shows for audiences. He differentiates between the happenings and the instructions or descriptions of them, saying that the latter are not art, “just literature”. Nevertheless these happenings enter an art context and find an art audience through this “literature”, or informally through anecdote. Read the rest of this entry »





