from www.tamarinnorwood.co.uk
A line drawn from pencil to paper makes a dot. It’s a dot upwards through space that begins on the paper and travels to the tip of the pencil, but because paper and pencil meet so closely, the upwards projection of the dot from the paper is very slim.
On Saturday I presented a new work at the Stanley Picker gallery during the Writing Exhibitions symposium. Here’s an outline of my work, which I called Genuine Smiles:
A sheet of paper is attached to one wall of the gallery, and attached just below it is a long piece of string with a sharpened pencil fixed to the other end. Visitors are invited to hold a pencil and do whatever they need to do to muster a genuine smile. Read the rest of this entry »
Rachel Lois Clapham and Alex Eisenberg documented today’s 10 Performances event with a live feed they updated throughout the day. By the time my performance What To Do begins they’re halfway down their third page. I love their occasional attempts to type out variations on everything I was saying. You can read what they’ve written here.
The text of What To Do is available to download as a pdf from the 10 Performances website, but I’m not sure I recommend you read it: the effect of reading the text on a page or a screen is very different from the effect of the performance itself. Read the rest of this entry »
Tomorrow I’m performing a revised version of my illustrated talk What To Do as part of the Beyond Text 10 Performances event. The event lasts all day, and as we contribute our performances details of each one will be posted online here, so you can watch the event unfold even if you can’t be there on the day. An archive of the day will remain on the site afterwards.
Here’s an outline from the site:
10 Performances is a text-based performance project exploring the nature of performative writing and its relation to the staged event of performance. Five established international artists and five UK-based postgraduate artists will contribute one written work each. Read the rest of this entry »
I’m practising for the 26th.
I hear my artist book DO SOMETHING is back from the printers. The good people at (un)limited store have put a couple pictures on their website, along with glimpses of the other five books in the series. The book launch is at ARTISTBOOKINTERNATIONAL at the Centre Pompidou in Paris from 4-6 December.
This evening I’m going to describe to some friends the following work, which is the same work that appears in the diagram I drew last week. We won’t be able to put the work into practice because we’ll be at someone’s home and we won’t be able to draw lines all over its walls, and so once I’ve described the work as it should be, we’re going to try to find ways of replicating its effect but within the constraints of the domestic space: no lines on the walls, no lines on the floors.
Genuine Smiles uses a faint pencil line in place of writing – an attenuated, quietened form of language drawn between signified and signifier: between the thing described and the description of it. But once the line is drawn, the thing it started from isn’t there any more.
A sheet of paper of any size is attached to one internal wall of the cube, and attached just above it is a long piece of string Read the rest of this entry »
After some eleventh hour InDesign frantickity the book I’ve been making is finished.
