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The Real Experiment

November 4, 2009

Allan Kaprow again. One characteristic of the lifelike art that was emerging in the sixties:

“Various performative modes became the effective way to deal with this shift to the actual environment. Performing was doing something, not acting in theater – moving furniture, for example, just to do it, or because you were changing apartments.”

The Real Experiment (1983)

This entry was posted on November 4, 2009 at 1:26 pm and is filed under authenticity, edge, fiction, frame, home, house, performance, pretending.

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